By: Val Tsoutsouris |
Tuesday January 18, 2005 |
Genrecountry PublisherSanctuary Records External Links |
The Mavericks might be the country act for those who don't like country.
Or they might be the roots-rock band for those who don't like roots-rock.
Their songs are simple and instantly recognizable, but they probably drive
record store employees crazy because they don't know what section to file them
under. Their sound is too clean, mainstream and unabashedly melodic to ever be
appreciated by hipsters; but in the highly superficial country mainstream they
are the ultimate outsiders. Recording a live album in Austin is a smart idea.
Anybody who has been to the fabled music city knows that it is as musically
engaged and eclectic as they come.
Listening to Live in Austin, Texas, the Mavericks sound more at home than
in their actual home of Miami. Hit songs (some, anyway) like "Dance the Night
Away," "What a Crying Shame," and "All You Ever Do Is Bring Me Down" are
positively greeted and buoyantly performed, the ultimate music for your summer
backyard barbecue.
Meanwhile, lead singer Raul Malo has the gift of one of the best voices in pop
music. Transcendent of genre, it's husky, rich and soaring. The listener is
probably going to love or hate the Mavericks based on whether they are partial
to Malo's voice.
Then consider me a fan. Malo often channels the emotional theatrics of Roy
Orbison, and he's one of the few who can do it without sounding hopelessly
corny. When he breaks out the Spanish inflections on the Cuban standard
"Siboney," the listener hardly needs to know Spanish to understand Malo's
longing. His voice is just that expressive.
This is also as close as the Mavericks have come to releasing a proper
retrospective, though this album inexplicably leaves out "I Should Have Been
True," perhaps their best song. But it's nice to know they are still around,
leaving the genre cataloguing to those who toil away in record stores.