By: Raymond Cummings |
Wednesday May 04, 2005 |
Genrerock PublisherCherrytree/Interscope External Links |
Toronto's Broken Social Scene was the indie-rock scene's late 2003/early
2004 wet dream, an interminable convergence of classic college rock crunch
and post-rock spew unjustly heralded to Next Big Thing proportions. While
the underground awaits BSS's next shot at living up to hype they don't
deserve, Calgary-born, current Parisian Leslie Feist - you may remember her
vocal turn on "Almost Crimes" from BSS' You Forgot It In People or
her singing on Peaches' The Teaches Of Peaches - lunges for the
hearts and wallets of National Public Radio/Entertainment Weekly (for real,
they ran a sidebar feature!) subscribers everywhere with Let It Die.
Feist leapfrogs from one era or style to the next with seductive, effortless
elan, as though she spent years breathing, eating, and performing the
bejeezus out of these 11 songs before entering the studio to record. She
vocally struts through a bold cover of the Bee-Gee's "Inside and Out" that
infuses that band's creation with in-your-face sass, while Feist original
"One Evening" is so disco-primed and funky the "Stayin' Alive" songwriters
should've come up with it first. She lays into the traditional composition
"When I Was A Young Girl" in To Bring You My Love-era P.J. Harvey
style, she smoulders through the gospel-esque title track; by the end of
Let it Die, it seems as though there is nothing this woman cannot do,
and do so well that one wonders why she'd bother guesting on anybody else's
records.